[RHL]⇒ Read East of Eden Oprah Book Club Series John Steinbeck 9780142000656 Books

East of Eden Oprah Book Club Series John Steinbeck 9780142000656 Books

Download As PDF : East of Eden Oprah Book Club Series John Steinbeck 9780142000656 Books

East of Eden Oprah Book Club Series John Steinbeck 9780142000656 Books

This is a story about the endurance of the human soul, about choosing to be who you would like to be rather than believing you were cut with a mold that can’t be broken. But also it’s a story about forgiveness, the freedom of choice and the long road one must walk between one’s beginning and one’s end, and all the causes and effects in-between.

Steinbeck’s masterpiece, for to call it anything less is impossible, has left me with a sense of loss. When I came to the end of this epic tale of family and humanity, I felt abandoned simply because I ran out of words to read. I wanted to carry on in his characters’ lives, spying on their darkness, watching them evolve and bloom and outrun the forces haunting them. No book has made me feel quite so much sadness and excitement at once. Perhaps because I’m a writer, I relished the painterliness of Steinbeck’s prose. I turned every single one of its six-hundred and one pages at a furious pace, and yet I indulged and languished and roamed the landscape he had painted for me, and me alone.

The story is so personal, a reader might feel it is written for her. It is a story we must hear, a story we know, a story with which we can connect, as we do with all the ones passed down from civilization to civilization. We commune with great stories, religious accounts, epic tales, because we see ourselves most readily in them, and as Lee (one of "Eden’s" finest characters) says, that’s why we keep telling, and retelling, them from one generation to the next. Steinbeck draws on the "Old Testament," turning over the story of Cain and Abel and making it his, for us anew. And because we see ourselves in it—our good and evil—we devour his retelling as though it were medicine to save our soul, the cure for all our ails. But perhaps I exaggerate, indulging in the power of the writer a little too much. Or maybe I do feel my soul a little shaken by my experience, swept up in the writer’s magic. Either way, I am satisfied to credit Steinbeck for my joy at venturing into his Eden.

And it is the great landscape, the backdrop of his tale that speaks most readily to the reader. Steinbeck’s setting is in fact a large part of the whole. Like the characters he unearths, the soil on which they stand seems to reach for the sky, yearning to live too. You can’t read "East of Eden" without experiencing the tan valleys of Northern California and the lush green dales of Connecticut. You see his East and his West, you practically smell the air of each, and you believe the world he creates to be the same one in which you live. The opening of the book sets you up for that, tells you, dear reader, you will feel every ounce of nature’s beauty just as the narrator does; her dangerous flirtations, her permanency, her changeability, her gales, her forces, her perpetual and enduring spirit. We do not simply live in nature, but come from it. We embody it; all her forces. I think Steinbeck reminds us of this in such subtle and rare ways it seeps into the subconscious as we follow his narrator through the story of Adam Trask, Samuel Hamilton, and all the characters in-between and after.

“I remember my childhood names for the grasses and secret flowers. I remember where a toad may live and what time the birds awaken in the summer—and what trees and seasons smelled like—how people looked and walked and smelled even. The memory of odors is very rich.”

Effortlessly, Steinbeck strings you along with his prose, fooling you into not seeing the great and gargantuan task he is laying before you. “Timshel,” he teaches you. “Thou mayest,” the two words from "Genesis" that seem to speak most profoundly, for they admit to free will, and your ability to choose to rule over sin. John Milton’s "Paradise Lost" also speaks of this freedom, one in which man has often stumbled, misunderstanding his disobedience, his choice between good and evil. Steinbeck examines this idea throughout the narrative, and shows you the outcomes of those who struggle with the same, and it is in their differences that choice becomes apparent.

I have said little about the characters, the plot, the style and themes, and yet I have said everything I can about a work that has touched me so deeply. I will leave you with this short quote, said once again by Lee, the Chinese American who is the most philosophical, and enlightened of Steinbeck’s family of characters, the sage most inborn to the writer:

“But ‘Thou mayest’! Why, that makes a man great, that gives him stature with the gods, for in his weakness and his filth and his murder of his brother he has still the great choice. He can choose his course and fight it through and win.”


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East of Eden Oprah Book Club Series John Steinbeck 9780142000656 Books Reviews

One of my favourite Steinbeck novels. This family drama spans across multiple generations, families and characters. While the broader concept is not entirely new (sibling rivalry is an ages-old yet deeply relevant issue, after all), Steinbeck's ability to create complex, often broken characters that are all too human gives the story new meaning. Cathy/Kate is one of the most interesting characters, but almost every person introduced throughout this story leaves some impression. But, as epic as the story is, and as complicated as the characters are, it is Steinbeck's writing that makes this book worth reading. He had the ability to describe things in such vivid detail while infusing such emotion into his words. This is by no means a quick and easy read - it is totally worth the time however.
I will admit, I'm a new Steinbeck reader and I enjoyed this book so much, I will read more of his work. His descriptive phrasing of situations and especially of characters, draws you right into the story as if you were there and know these individuals. I love a good, long family saga and this one really fit the bill for me. My only regret is that I waited so long to read this book.
With the title of East of Eden, one would think this was a straight retelling of the Cain and Abel story in Genesis; it is so much more.

This is a story of family, honor, love, pain, success, failure and free will. The Cain and Abel parallel runs through 2 sets of brothers and even the 2 woman involved with each set. In Charles and Adam then Cal and Aron, there is the perception of good and bad. With Cathy and Abra, it seems a little more black and white. However, the ideal of free will changing a path is always there. The characters always have a choice.

The novel highlights 2 generations of the Trask family with the relationships between the father's & sons, brothers, and the woman who impacts each generation of men. There is also the contrast of the poorer but more content Hamilton family which also plays a part in both generations.

This book has everything from drama to a small mystery to romance. It is a definite must read in a lifetime. Personally, I have to reread it every few years because, in addition to everything else, I find it to be a story of redemption and hope.
Timshel.
I finished reading this about 2 weeks ago and have now had time to ingest it for a while. This is easily in the top 5, if not top 3, or perhaps, in time, even THE top book I have ever read. I love Grapes, Cannery Row, and Mice & Men, but I love this one even more now. It's a timeless classic about good and evil and the privelege of choosing which one we want to be defined by.

The digital version of the book (c 2011) I read contained way too many typos though... At least 50-100 that I noticed, including some that actually altered the meaning of what Steinbeck originally wrote. Poor QC... pick it up, publishers. Still, the book that Steinbeck wrote is so great that I can't let that detract from its 5-star-ness
East of Eden had been on my reading list for 15 years. I wish I had read it then! This book is a gift to the mind and heart. One of the many brilliant things about this book is the beautiful character development transcends the time period and geographic location. It is about the human condition, the exploration of good and evil and the ability to discover your own path. I will read this book again and again. Thank you, ​John Steinbeck! The only downside is, I am having a tough time finding my "rebound" book. So far, everything pales in comparison.
This is a story about the endurance of the human soul, about choosing to be who you would like to be rather than believing you were cut with a mold that can’t be broken. But also it’s a story about forgiveness, the freedom of choice and the long road one must walk between one’s beginning and one’s end, and all the causes and effects in-between.

Steinbeck’s masterpiece, for to call it anything less is impossible, has left me with a sense of loss. When I came to the end of this epic tale of family and humanity, I felt abandoned simply because I ran out of words to read. I wanted to carry on in his characters’ lives, spying on their darkness, watching them evolve and bloom and outrun the forces haunting them. No book has made me feel quite so much sadness and excitement at once. Perhaps because I’m a writer, I relished the painterliness of Steinbeck’s prose. I turned every single one of its six-hundred and one pages at a furious pace, and yet I indulged and languished and roamed the landscape he had painted for me, and me alone.

The story is so personal, a reader might feel it is written for her. It is a story we must hear, a story we know, a story with which we can connect, as we do with all the ones passed down from civilization to civilization. We commune with great stories, religious accounts, epic tales, because we see ourselves most readily in them, and as Lee (one of "Eden’s" finest characters) says, that’s why we keep telling, and retelling, them from one generation to the next. Steinbeck draws on the "Old Testament," turning over the story of Cain and Abel and making it his, for us anew. And because we see ourselves in it—our good and evil—we devour his retelling as though it were medicine to save our soul, the cure for all our ails. But perhaps I exaggerate, indulging in the power of the writer a little too much. Or maybe I do feel my soul a little shaken by my experience, swept up in the writer’s magic. Either way, I am satisfied to credit Steinbeck for my joy at venturing into his Eden.

And it is the great landscape, the backdrop of his tale that speaks most readily to the reader. Steinbeck’s setting is in fact a large part of the whole. Like the characters he unearths, the soil on which they stand seems to reach for the sky, yearning to live too. You can’t read "East of Eden" without experiencing the tan valleys of Northern California and the lush green dales of Connecticut. You see his East and his West, you practically smell the air of each, and you believe the world he creates to be the same one in which you live. The opening of the book sets you up for that, tells you, dear reader, you will feel every ounce of nature’s beauty just as the narrator does; her dangerous flirtations, her permanency, her changeability, her gales, her forces, her perpetual and enduring spirit. We do not simply live in nature, but come from it. We embody it; all her forces. I think Steinbeck reminds us of this in such subtle and rare ways it seeps into the subconscious as we follow his narrator through the story of Adam Trask, Samuel Hamilton, and all the characters in-between and after.

“I remember my childhood names for the grasses and secret flowers. I remember where a toad may live and what time the birds awaken in the summer—and what trees and seasons smelled like—how people looked and walked and smelled even. The memory of odors is very rich.”

Effortlessly, Steinbeck strings you along with his prose, fooling you into not seeing the great and gargantuan task he is laying before you. “Timshel,” he teaches you. “Thou mayest,” the two words from "Genesis" that seem to speak most profoundly, for they admit to free will, and your ability to choose to rule over sin. John Milton’s "Paradise Lost" also speaks of this freedom, one in which man has often stumbled, misunderstanding his disobedience, his choice between good and evil. Steinbeck examines this idea throughout the narrative, and shows you the outcomes of those who struggle with the same, and it is in their differences that choice becomes apparent.

I have said little about the characters, the plot, the style and themes, and yet I have said everything I can about a work that has touched me so deeply. I will leave you with this short quote, said once again by Lee, the Chinese American who is the most philosophical, and enlightened of Steinbeck’s family of characters, the sage most inborn to the writer

“But ‘Thou mayest’! Why, that makes a man great, that gives him stature with the gods, for in his weakness and his filth and his murder of his brother he has still the great choice. He can choose his course and fight it through and win.”